My Favorite Screenplays
by Alysha Westlake
With the enormous success this past weekend of THE AVENGERS, written and directed by Joss Whedon of BUFFY THE VAMPIRE SLAYER fame, I started thinking about my favorite screenplays. I enjoyed the witty quips of the superhero rag-tag Avengers crew, but is it this ah-mah-zing film everyone is making it out to be? More on the blog...
Softball: Guild Hits 'Em Where They Ain't, Tops Apple 13-6
by Timothy Cooper

I don't have much time to sum this one up, for the same reason that this report is late in coming—I've been fielding too many calls from the press, MLB recruiters, and a few admiring, disturbingly eager fans after our stunning win on Monday.
The remainder of my voicemailbox, interestingly, is filled up with angry calls from Justin Long (the "I'm a Mac" guy from those ads). Weirdly, he wasn't all that angry about our brutal dismantling of Apple; rather, he was just wondering why people still only recognize him as "the 'I'm a Mac' guy from those ads."
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The Comedy Awards 2012
This past weekend, Comedy Central presented its second annual comedy awards. It begs the question, do we need another awards show? Probably not. Do we need more comedy in our lives? Heck yeah!
"Race to the Top" Protest at Atlas Media

AFL-CIO President Richard Trumka, WGAE Executive Director Lowell Peterson and WGAE President Michael Winship (pictured above) joined NYCCLC AFL-CIO President Vincent Alvarez and an assortment of Labor and OWS activists for the WGAE’s protest against production company Atlas Media. The protest, dubbed "Race to the Top," urged Atlas to provide health benefits for their writers and producers.
Along with members of IATSE, IBEW, CWA-NABET, RWDSU, TNG-CWA, SAG-AFTRA, UAW and OWS, Atlas Media employees and members of WGAE gathered outside of Atlas's offices in Manhattan and staged an actual race along West Thirty-sixth Street to demand that the company not settle for "last place" when it comes to employee health benefits.
Featured
101 Best-Written TV Series

From its beginnings in the 1940s through present day, American television has been shaped by the words and stories of writers. In recognition of the role of writing in sustaining this extraordinary medium, the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) are launching 101 Best Written TV Series, the WGA’s list of outstanding television writing. Writers will be able to vote for their choices beginning on May 15, and results will be announced in the fall.
The “101 TV” list will celebrate the craft of television writing over seven decades and follows the WGA’s 101 Greatest Screenplays list announced in 2006. In casting their votes for “best written,” Guild members will have a broad and dynamic field to choose from – any series that aired from the early years of television through the present, on broadcast, basic or pay cable.
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PBS Brings 'POV' and 'Independent Lens' Back to Primetime
WGAE Executive Director Lowell Peterson and President Michael Winship released the following statement:
“With the news that the series POV and Independent Lens will move in late October to a prime spot on the PBS schedule—Monday nights at 10—we are pleased that PBS has decided to restore independent documentaries to an airtime in its national core schedule. As the Writers Guild of America, East said when it joined in protesting the schedule change in April, the move announced today will allow the greatest exposure and best opportunity for viewers to see these important works so relevant to the PBS mandate for diversity and public service. We are especially grateful for the open minds and willingness to negotiate at PBS that allowed this decision to take place and congratulate the independent film community for the solidarity and sense of purpose that resulted in such a successful outcome.”
WGAE Applauds Expanded Digital Media Up-Fronts

The Writers Guild of America, East applauds the co-sponsors of the expanded Digital Content NewFronts (DCNF), which will be presented in New York from April 19 to May 3.
Modeled on the traditional television industry “up fronts,” the DCNFs offer digital-content creators and distributors the opportunity to market their work and their services to online advertisers. (DCNF co-sponsors include Hulu, AOL, Microsoft Advertising, Digitas, Yahoo! and Google/YouTube.)
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National Endowment for the Arts Should Reconsider Cuts in PBS Funding

Statement by Lowell Peterson, Executive Director, and Michael Winship, President of the Writers Guild of America, East:
The National Endowment for the Arts is reported to be reducing its grants to programs on public television by $1 million. These cuts would affect American Masters, Great Performances, independent documentaries and other shows. The Writers Guild of America, East, urges the NEA to reconsider these reported cuts.
“Public television programs such as American Masters offer thoughtful, well-researched insights into American culture and the arts,” said WGAE Executive Director Lowell Peterson and WGAE President Michael Winship. “At a time of decreased funding from corporations and charitable trusts, and with federal funding for the Corporation for Public Broadcasting always at risk, we hope that the NEA will maintain its historical commitment to these vital shows.”
WGAE members write and create many of the best-loved shows on public television, including American Masters, Frontline, American Experience, Nova and Sesame Street.
News
OnWritingONLINE: Not Your Parent’s Vast Wasteland
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For the last decade, much of the truly original and consistently creative writing across the broad landscape of visual media has been produced on off-network television. Two of the most prominent and successful creative forces in this realm have been Denis Leary (RESCUE ME) and Terence Winter (BOARDWALK EMPIRE). The discussion will be moderated by Rebecca Dana, editor and correspondent for Newsweek and The Daily Beast.
Click here for date, time and RSVP information.
Transmedia Workshop - May 15th
In this hands-on workshop, author, game designer, writer and experience consultation Andrea Phillips will discuss how transmedia storytelling techniques can make your story deeper and more compelling. But this session won't be about high-level theory. It's about craft. You'll be learning concrete skills and patterns of thinking that you can begin to apply to your work the same day, from using Web-design visuals as a vehicle for characterization to conveying your cut B-plots through bonus media.
Click for more information
Union Plus Contest
Here’s a chance to win a free weekly car rental. Members already qualify for up to 25% off car rentals with Union Plus. Prizes include a free week, and gift certificates. Deadline to Register by June 30, 2012.
On a Note of Norman Corwin, by Jerome Coopersmith
The recent passing of radio great Norman Corwin led dramatist and television writer Jerome Coopersmith, a Jablow Award–winner and former Writers Guild of America, East, council member, to contribute this appreciation of Corwin’s career.
We studied him when I was in college, and we performed his radio plays as best we could in classrooms and on the college radio station. We lifted them from a collection called “13 By Corwin.” It was the best possible source to pirate from. Corwin was a giant in radio writing.
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